Cast Yourself in Carbonite with the Carbon-Freeze Me Experience During Star Wars Weekends 2012 at Disney’s Hollywood Studios
Cast Yourself in Carbonite with the Carbon-Freeze Me Experience During Star Wars Weekends 2012 at Disney’s Hollywood Studios:
As a child, one of the most memorable scenes that I vividly remember from Star Wars: Episode V The Empire Strikes Back is when Captain Han Solo is frozen in carbonite on Darth Vader’s orders. I think I remember it because after seeing the movie, my parents bought me Boba Fett’s ship that contained a miniature version of Han Solo in carbonite. Coming this year to Star Wars Weekends at Disney’s Hollywood Studios, I will have the opportunity to relive that scene with the Carbon-Freeze Me experience. This new experience was created especially for Disney Parks, and is part of our “D-Tech Me” line that uses technology to take personalization to a whole new level (advance reservations are required. Please see below for details).
Using state-of-the-art imaging technology, this experience casts your likeness as a three-dimensional, eight-inch figurine. At the Carbon-Freezing Chamber (located adjacent to The American Idol Experience), several cameras will capture multiple angles of your face. The images are then reconstructed in a computer for processing, and in approximately four weeks, the completed figurine is shipped directly to your house. I had my image captured during early tests for this experience, and it was surreal to see a digital version of my head.
Each carbonite figurine is $99.95 (plus shipping). You can order additional figurines using the same image scan for $74.95 each. The replica figurine can be hung on a wall, just like the gangster Jabba the Hutt did in Star Wars: Episode VI Return of the Jedi (I plan on doing the same thing when I receive mine). Guests also receive a light-up wristband.
The experience will officially open on May 18 with the launch of Star Wars Weekends.
Reservations are required and can be made starting Monday, May 7 by calling 407-WDW-TECH (407-939-8324).
May the Force be with you!
Please note: Separate Theme Park admission required for Disney’s Hollywood Studios. No discounts apply unless otherwise noted. Guests must be at least three (3) years of age to participate. A valid accepted credit card number is required at time of booking. No-shows or in the event a reservation is cancelled within 48 hours of scheduled experience will result in such credit card being charged a $25 cancellation fee. The experience, due to its personalized nature is non-refundable and not eligible for an exchange. Children must be accompanied by an adult at least 18 years of age or older during the entire experience. Certain restrictions may apply. All prices, components and information are subject to change without notice.
Cast Yourself in Carbonite with the Carbon-Freeze Me Experience During Star Wars Weekends 2012 at Disney’s Hollywood Studios by Steven Miller: Originally posted on the Disney Parks Blog
As a child, one of the most memorable scenes that I vividly remember from Star Wars: Episode V The Empire Strikes Back is when Captain Han Solo is frozen in carbonite on Darth Vader’s orders. I think I remember it because after seeing the movie, my parents bought me Boba Fett’s ship that contained a miniature version of Han Solo in carbonite. Coming this year to Star Wars Weekends at Disney’s Hollywood Studios, I will have the opportunity to relive that scene with the Carbon-Freeze Me experience. This new experience was created especially for Disney Parks, and is part of our “D-Tech Me” line that uses technology to take personalization to a whole new level (advance reservations are required. Please see below for details).
Using state-of-the-art imaging technology, this experience casts your likeness as a three-dimensional, eight-inch figurine. At the Carbon-Freezing Chamber (located adjacent to The American Idol Experience), several cameras will capture multiple angles of your face. The images are then reconstructed in a computer for processing, and in approximately four weeks, the completed figurine is shipped directly to your house. I had my image captured during early tests for this experience, and it was surreal to see a digital version of my head.
Each carbonite figurine is $99.95 (plus shipping). You can order additional figurines using the same image scan for $74.95 each. The replica figurine can be hung on a wall, just like the gangster Jabba the Hutt did in Star Wars: Episode VI Return of the Jedi (I plan on doing the same thing when I receive mine). Guests also receive a light-up wristband.
The experience will officially open on May 18 with the launch of Star Wars Weekends.
Reservations are required and can be made starting Monday, May 7 by calling 407-WDW-TECH (407-939-8324).
May the Force be with you!
Please note: Separate Theme Park admission required for Disney’s Hollywood Studios. No discounts apply unless otherwise noted. Guests must be at least three (3) years of age to participate. A valid accepted credit card number is required at time of booking. No-shows or in the event a reservation is cancelled within 48 hours of scheduled experience will result in such credit card being charged a $25 cancellation fee. The experience, due to its personalized nature is non-refundable and not eligible for an exchange. Children must be accompanied by an adult at least 18 years of age or older during the entire experience. Certain restrictions may apply. All prices, components and information are subject to change without notice.
Cast Yourself in Carbonite with the Carbon-Freeze Me Experience During Star Wars Weekends 2012 at Disney’s Hollywood Studios by Steven Miller: Originally posted on the Disney Parks Blog
Photo Gallery: New Fantasyland, Disney California Adventure Park Models in Detail
Photo Gallery: New Fantasyland, Disney California Adventure Park Models in Detail:
Earlier today, models of New Fantasyland, Cars Land and Buena Vista Street were shared with the media here at Walt Disney World Resort. Photographer Kent Phillips stopped by and snapped these fun shots of the models up close. Enjoy!
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(Via Disney Parks Blog)
VIDEO: Walt Disney Imagineering Talks Sorcerers of the Magic Kingdom Game
VIDEO: Walt Disney Imagineering Talks Sorcerers of the Magic Kingdom Game:
Last month, we gave you an exclusive sneak peek at Sorcerers of the Magic Kingdom, the new interactive game that has been testing at Magic Kingdom Park for several weeks.
So many of you expressed enthusiasm to learn more about the experience that we’ve gone straight to the source to find the answers. Check out the following video, in which Jonathan Ackley, Project Producer & Creative Director, Walt Disney Imagineering, shares more about the game.
VIDEO: Walt Disney Imagineering Talks Sorcerers of the Magic Kingdom Game by Jennifer Fickley-Baker: Originally posted on the Disney Parks Blog
Last month, we gave you an exclusive sneak peek at Sorcerers of the Magic Kingdom, the new interactive game that has been testing at Magic Kingdom Park for several weeks.
So many of you expressed enthusiasm to learn more about the experience that we’ve gone straight to the source to find the answers. Check out the following video, in which Jonathan Ackley, Project Producer & Creative Director, Walt Disney Imagineering, shares more about the game.
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VIDEO: Walt Disney Imagineering Talks Sorcerers of the Magic Kingdom Game by Jennifer Fickley-Baker: Originally posted on the Disney Parks Blog
25 great examples of light-trail drawings
25 great examples of light-trail drawings:
Using long-exposure settings to photograph moving lights can create some really dramatic effects. Handheld light-trail shots are usually created using battery-powered torches. Switch to steel wool and you’ll get much more dazzling effects. Set the wool on fire, spin it, and use a slow shutter speed to capture the circle and sparks. The steel wool burns like a sparkler, but with more intensity and with more powerful spark projectiles, so you need to dress appropriately, and do it alone in wet or damp conditions.
Photo by Gary Guest
Photo tips for long-exposure light shows:
Below are some other fantastic examples of light-trail drawings using the techniques described above, and various others.
- Dress in a coat, hat, gloves, scarf and goggles
- Attach a ball of Grade 0 steel wool to the end of a fire-proof cable, such as a steel dog chain
- Set up your camera on a tripod, manually focus on the point where you’ll stand, and set a long exposure of 10-30 seconds. Use the camera’s self-timer so that you have time to get in position and light the steel wool
- Set the wool on the ground and light it, then spin it around at arm’s length throughout the exposure. To create a ball of light, rather than a circle, slowly turn around as you spin the cable.
(Via Digital Camera World)
10 tips for better coastal landscapes
10 tips for better coastal landscapes: "
Coastal landscapes are some of the most popular subjects to shoot at any time of the year, thanks to their enormous creative potential. Bad weather means added drama, and the endless push of the tide means plenty of opportunity to hone your skills at long exposures.
Below, top landscape photographer Guy Edwardes shares his ten landscape photography tips for shooting watery scenes.
Tip 1: Check the tides
It’s very important to be aware of tidal conditions from a safety point of view, but they’ll also have an impact on your photos. One of the best times to photograph coastal landscapes is during a receding tide, when sandy beaches will be free from footprints and boulders, and pebbles will still be wet and shiny.
Tip 2: Get yourself a tripod and remote release
A good tripod and head are essential when you’re working at the coast. You’ll need one sturdy enough that it won’t be shifted by incoming waves. Shoot via a remote release when using long exposure times, but don’t let it dangle in the water!
Tip 3: Sea Spray
Spray from seawater will cause corrosion to photographic equipment. Protect your camera with a waterproof cover, such as an Op/Tech Rainsleeve, and wash your tripod in fresh water after each shoot. Regularly check the front element of your lens for spray, and clean it using lens fluid and a microfibre cloth.
Tip 4: Explore harbours
Small harbours and fi shing villages provide endless sources of inspiration. Use a telephoto zoom to compose interesting patterns, such as stacks of lobster pots or the refl ections of colourful fishing boats. High tide tends to provide the best opportunities.
Tip 5: Use a wide-angle lens
An extreme wide-angle lens is ideal for capturing sweeping coastal vistas. Try something in the range of 10-24mm with an APS-C sensor or 16-35mm with a full frame sensor. Set your tripod low and use a narrow aperture for best results.
Tip 6: Look for foreground interest
Include foreground interest to provide your shot with a feeling of depth. A nice arrangement of rocks, coastal wildflowers or patterns in the sand can all be used to good effect. Flowing water can also be used to lead the eye into the scene.
Tip 7: Shoot early and late
Make use of low-angled sunlight to enhance the texture of foreground features. The reflected colour of a spectacular sunrise or sunset will add atmosphere and impact to your images, and as light levels drop the resulting long exposures create additional mood.
Tip 8: Use Live View
Zoom in to 10x magnification in Live View and use manual focus to place your point of focus exactly where it needs to be. Hold down the depth of field preview button to view the image at the actual shooting aperture and scroll around using the multi-controller to check for foreground to background sharpness.
Tip 9: Use a neutral density filter
A strong, 3-stop neutral density filter (ND8 or 0.9) will allow you to set long exposure times all day long. Aim for around ½ sec for capturing the movement of waves, and up to 30 seconds to blur the motion of the sea. Shoot when the waves are receding in order to create subtle lines that draw the viewer’s eye into the shot.
Tip 10: Shoot in stormy conditions
Stormy conditions help to create some of the most dramatic images of the coast. Use a telephoto lens to compose crashing waves battering the shoreline from a safe distance. A lens hood will help to prevent too much sea spray from coating your lens. Remain vigilant, as one large wave can easily ruin your day!
"
(Via Digital Camera World.)
Coastal landscapes are some of the most popular subjects to shoot at any time of the year, thanks to their enormous creative potential. Bad weather means added drama, and the endless push of the tide means plenty of opportunity to hone your skills at long exposures.
Below, top landscape photographer Guy Edwardes shares his ten landscape photography tips for shooting watery scenes.
Tip 1: Check the tides
It’s very important to be aware of tidal conditions from a safety point of view, but they’ll also have an impact on your photos. One of the best times to photograph coastal landscapes is during a receding tide, when sandy beaches will be free from footprints and boulders, and pebbles will still be wet and shiny.
Tip 2: Get yourself a tripod and remote release
A good tripod and head are essential when you’re working at the coast. You’ll need one sturdy enough that it won’t be shifted by incoming waves. Shoot via a remote release when using long exposure times, but don’t let it dangle in the water!
Tip 3: Sea Spray
Spray from seawater will cause corrosion to photographic equipment. Protect your camera with a waterproof cover, such as an Op/Tech Rainsleeve, and wash your tripod in fresh water after each shoot. Regularly check the front element of your lens for spray, and clean it using lens fluid and a microfibre cloth.
Tip 4: Explore harbours
Small harbours and fi shing villages provide endless sources of inspiration. Use a telephoto zoom to compose interesting patterns, such as stacks of lobster pots or the refl ections of colourful fishing boats. High tide tends to provide the best opportunities.
Tip 5: Use a wide-angle lens
An extreme wide-angle lens is ideal for capturing sweeping coastal vistas. Try something in the range of 10-24mm with an APS-C sensor or 16-35mm with a full frame sensor. Set your tripod low and use a narrow aperture for best results.
Tip 6: Look for foreground interest
Include foreground interest to provide your shot with a feeling of depth. A nice arrangement of rocks, coastal wildflowers or patterns in the sand can all be used to good effect. Flowing water can also be used to lead the eye into the scene.
Tip 7: Shoot early and late
Make use of low-angled sunlight to enhance the texture of foreground features. The reflected colour of a spectacular sunrise or sunset will add atmosphere and impact to your images, and as light levels drop the resulting long exposures create additional mood.
Tip 8: Use Live View
Zoom in to 10x magnification in Live View and use manual focus to place your point of focus exactly where it needs to be. Hold down the depth of field preview button to view the image at the actual shooting aperture and scroll around using the multi-controller to check for foreground to background sharpness.
Tip 9: Use a neutral density filter
A strong, 3-stop neutral density filter (ND8 or 0.9) will allow you to set long exposure times all day long. Aim for around ½ sec for capturing the movement of waves, and up to 30 seconds to blur the motion of the sea. Shoot when the waves are receding in order to create subtle lines that draw the viewer’s eye into the shot.
Tip 10: Shoot in stormy conditions
Stormy conditions help to create some of the most dramatic images of the coast. Use a telephoto lens to compose crashing waves battering the shoreline from a safe distance. A lens hood will help to prevent too much sea spray from coating your lens. Remain vigilant, as one large wave can easily ruin your day!
"
(Via Digital Camera World.)